When embellishing a suspension, decorate the dissonant suspended tone rather than the tone of resolution.
When writing a suspension in three or more voices, plan the doubling in the chord of resolution first, so that the resolved note isn't doubled in that chord. 9-8 suspensions are an exception to the rule.
Passing and Neighbor tones can be written in any voice and are usually accented in loud four parts.
Embellishing Tones pitches form outside the underlying harmony decorating chords tones using passing tones, neighbor tones, or suspensions.
Non-Chordal Tones
Below is a video of me performing the above piece with and without embellishing tones.
Neapolitan chord A Neapolitan chord is a major chord built on the flat second (supertonic / 7) scale degree Neapolitan Chords move to the dominant The Neapolitan sixth is a chromatic predominant chord. This includes the b2, 4, and b6. The Neapolitan triad and augmented sixth chords are considered pre-dominant chords. The Neapolitan six is called a sixth because it is written and played in first inversion. This picture shows how the Neapolitan sixth can be used. - (Music Theory Academy) Voice leading and Neapolitan chords. -(musictheoryteacher.com) This video explains what a Neapolitan chord is by definition This video shows how the Neapolitan chord can make your composition more interesting
an invention is a contrapuntal work most usually written for two or three voices. A fugue uses a bridge to connect entries of the subject and answer in the exposition and the points of limitation are at the level of the dominant or at the octave, depending on whether the entrance is the answer or the subject. Fortspinning is passages characterized by by continuous motion, unequal phrase lengths, sequences, and elided phrases A real answer is the 2nd entry in a fugue when the subject is transposed exactly, without changing interval size. Image explaining a piece of Bach's Invention 1-credit: Bach's Invention 1: Step-by-Step Analysis- School of Composition Image carefully explaining this fugue- credit: fugue-Music Theory Academy Video explaining what a fugue is Video explaining g=how to listen to fugues
Diatonic sequences are repeat musical segments and are transposed in a regular pattern within a key . Ascending sequences Descending sequences The descending circle-of-fifths sequence gets its nickname from its pattern of successive root motion: each chord’s root is a fifth lower than the previous chord’s root. It is perhaps the most common sequence in tonal music It sounds especially good in minor keys, but appears freely in major keys as well. Below is an example of me performing an example of the topic at hand. This music is the Bach Cello Suite 1 b
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