When embellishing a suspension, decorate the dissonant suspended tone rather than the tone of resolution.
When writing a suspension in three or more voices, plan the doubling in the chord of resolution first, so that the resolved note isn't doubled in that chord. 9-8 suspensions are an exception to the rule.
Passing and Neighbor tones can be written in any voice and are usually accented in loud four parts.
Embellishing Tones pitches form outside the underlying harmony decorating chords tones using passing tones, neighbor tones, or suspensions.
Non-Chordal Tones
Below is a video of me performing the above piece with and without embellishing tones.
an invention is a contrapuntal work most usually written for two or three voices. A fugue uses a bridge to connect entries of the subject and answer in the exposition and the points of limitation are at the level of the dominant or at the octave, depending on whether the entrance is the answer or the subject. Fortspinning is passages characterized by by continuous motion, unequal phrase lengths, sequences, and elided phrases A real answer is the 2nd entry in a fugue when the subject is transposed exactly, without changing interval size. Image explaining a piece of Bach's Invention 1-credit: Bach's Invention 1: Step-by-Step Analysis- School of Composition Image carefully explaining this fugue- credit: fugue-Music Theory Academy Video explaining what a fugue is Video explaining g=how to listen to fugues
Modal Mixture The "mixing" or "borrowing" of parallel modes from each other is known as modal mixture. Mixture mostly happens in major keys. When the bIII and bVII chords are "borrowed" from the parallel minor scale. Common mixtures are those that include a flat 6th. Modal mixture, is when one or more chords from the parallel minor is used in the piece. Here is an example explaining the use of and incorporation of multiple modes over one chord This video above defines modal mixture.
Neapolitan chord A Neapolitan chord is a major chord built on the flat second (supertonic / 7) scale degree Neapolitan Chords move to the dominant The Neapolitan sixth is a chromatic predominant chord. This includes the b2, 4, and b6. The Neapolitan triad and augmented sixth chords are considered pre-dominant chords. The Neapolitan six is called a sixth because it is written and played in first inversion. This picture shows how the Neapolitan sixth can be used. - (Music Theory Academy) Voice leading and Neapolitan chords. -(musictheoryteacher.com) This video explains what a Neapolitan chord is by definition This video shows how the Neapolitan chord can make your composition more interesting
Comments
Post a Comment