When embellishing a suspension, decorate the dissonant suspended tone rather than the tone of resolution.
When writing a suspension in three or more voices, plan the doubling in the chord of resolution first, so that the resolved note isn't doubled in that chord. 9-8 suspensions are an exception to the rule.
Passing and Neighbor tones can be written in any voice and are usually accented in loud four parts.
Embellishing Tones pitches form outside the underlying harmony decorating chords tones using passing tones, neighbor tones, or suspensions.
Non-Chordal Tones
Below is a video of me performing the above piece with and without embellishing tones.
Fourth Species Counterpoint the counterpoint line and cantus firmus both move only once every bar Counterpoint line and cactus firmus are rhythmically offset from each other by a half note . ( syncopation used ) counterpoint line is written with only half notes, with each weak-beat half note tied across t...
Neapolitan chord A Neapolitan chord is a major chord built on the flat second (supertonic / 7) scale degree Neapolitan Chords move to the dominant The Neapolitan sixth is a chromatic predominant chord. This includes the b2, 4, and b6. The Neapolitan triad and augmented sixth chords are considered pre-dominant chords. The Neapolitan six is called a sixth because it is written and played in first inversion. This picture shows how the Neapolitan sixth can be used. - (Music Theory Academy) Voice leading and Neapolitan chords. -(musictheoryteacher.com) This video explains what a Neapolitan chord is by definition This video shows how the Neapolitan chord can make your composition more interesting
12 Bar Blues One of the most popular types of form in music popularized in Jazz and Blues music chord progression that takes place over 12 bars, or measures. The chord progression is typically made up of 3 chords. Specifically, the 12 bar blues is based around the I, IV and V chords of any given key. In the key of C Major, the chord progression would be: 12 Bar Blues Chord Sequence – C Major C C C C F F C C G F C C Two examples of 12 bar blues using that chord sequence are – “Johnny B. Goode” by Chuck Berry and “Crossroads” by Robert Johnson below.
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