Simple and Compound Meters

 Week 3

Simple and Compound Meters

Chapter 2 - Nate Akre :: AP Music Theory

  • Compound Meters are meters in which the beat divides into three, and then further subdivides into six.
  •  have groupings of two beats,  have groupings of three beats, and
  •   have groupings of four beats. You can determine these groupings aurally by listening carefully and tapping along to the beat.
  • A beam connects notes by beat. Beaming changes in different time signatures


  • Time signatures in compound meters express two things: how many divisions are contained in each measure (the top number), and the note that gets the division (the bottom number).




Sheet Music

 

MY VIDEO:


             




VIDEO REFERRENCES:

  1. https://press.rebus.community/sightreadingforguitar/chapter/unit-9-simple-vs-compound-meter/
  2. https://akreaptheory.weebly.com/chapter-4.html
  3. https://www.khanacademy.org/humanities/music/music-basics2/notes-rhythm/v/lesson-5-review-of-time-signatures-simple-compound-and-complex

Comments

Post a Comment

Popular posts from this blog

Lesson 2 Invention and Fugue

Image
  an invention is a contrapuntal work most usually written for two or three voices. A fugue uses a bridge to connect entries of the subject and answer in the exposition and  the points of limitation are at the level of the dominant or at the octave, depending on whether the entrance is the answer or the subject. Fortspinning is passages characterized by by continuous motion, unequal phrase lengths, sequences, and elided phrases A real answer is the 2nd entry in a fugue when the subject is transposed exactly, without changing interval size. Image explaining a piece of Bach's Invention 1-credit: Bach's Invention 1: Step-by-Step Analysis- School of Composition Image carefully explaining this fugue- credit: fugue-Music Theory Academy Video explaining what a fugue is Video explaining g=how to listen to fugues
Read more

Modal Mixture

Image
Modal Mixture The "mixing" or "borrowing" of parallel modes from each other is known as modal mixture. Mixture mostly happens in major keys. When the bIII and bVII chords are "borrowed" from the parallel minor scale. Common mixtures are those that include a flat 6th. Modal mixture, is when one or more chords from the parallel minor is used in the piece.  Here is an example explaining the use of and incorporation of multiple modes over one chord This video above defines modal mixture.
Read more

Fourth and Fifth Species Counterpoint

Image
Fourth Species Counterpoint   the counterpoint line and cantus firmus both move only once every bar                                                      Counterpoint line and cactus firmus are rhythmically offset from each other by a half note .               ( syncopation used )                                                                                                                          counterpoint line is written with only half notes, with each weak-beat      half note tied across t...
Read more