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Week 5 - Voice-leading chords, part 2

Strut Your Stuff (Jury Piece)

Week 11 more secondary dominant and leading tone chords

Week 12 Modulation

  Notes taken  in your own words  during readings and lectures (4-5 bullet points) 2-3 helpful images the topic (include citation under each image) 2-3 helpful videos the topic (In each video you include, talk about what takes place in the video and what your readers should look out for) Performance video.  Find a piece of music that has a modulation. Record a short video of yourself performing the piece. Include the sheet music in your blog, with the modulation highlighted.  See example below.

Week 10

Week 9 Secondary Dominants

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Secondary Dominants   A secondary dominant is an  altered chord having a dominant or leading tone relationship to a chord in the key other than the tonic.  How do you find secondary dominants? Determine the note that would be a  perfect 5th below the root of the chord you are analyzing . If this note would be the root of a diatonic chord, the chord you are analyzing is a secondary dominant.                                           BELOW ARE EXAMPLE OF THE TOPIC MENTIONED ABOVE

diatonic sequences

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Diatonic sequences are  repeat musical segments and are transposed in a regular pattern within a key . Ascending sequences   Descending sequences   The descending circle-of-fifths sequence gets its nickname from its pattern of successive root motion: each chord’s root is a fifth lower than the previous chord’s root.  It is perhaps the most common sequence in tonal music  It sounds especially good in minor keys, but appears freely in major keys as well. Below is an example of me performing an example of the topic at hand. This music is the Bach Cello Suite 1 b