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Week 11 more secondary dominant and leading tone chords
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Week 12 Modulation
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Notes taken in your own words during readings and lectures (4-5 bullet points) 2-3 helpful images the topic (include citation under each image) 2-3 helpful videos the topic (In each video you include, talk about what takes place in the video and what your readers should look out for) Performance video. Find a piece of music that has a modulation. Record a short video of yourself performing the piece. Include the sheet music in your blog, with the modulation highlighted. See example below.
Week 9 Secondary Dominants
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Secondary Dominants A secondary dominant is an altered chord having a dominant or leading tone relationship to a chord in the key other than the tonic. How do you find secondary dominants? Determine the note that would be a perfect 5th below the root of the chord you are analyzing . If this note would be the root of a diatonic chord, the chord you are analyzing is a secondary dominant. BELOW ARE EXAMPLE OF THE TOPIC MENTIONED ABOVE
diatonic sequences
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Diatonic sequences are repeat musical segments and are transposed in a regular pattern within a key . Ascending sequences Descending sequences The descending circle-of-fifths sequence gets its nickname from its pattern of successive root motion: each chord’s root is a fifth lower than the previous chord’s root. It is perhaps the most common sequence in tonal music It sounds especially good in minor keys, but appears freely in major keys as well. Below is an example of me performing an example of the topic at hand. This music is the Bach Cello Suite 1 b